Opulent Mobility
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  • Home
  • About
    • the Story of OM
  • Get Involved
    • Collaborate With Us
    • Donate
    • Make an Exhibit
    • Submit Your Art
  • OM 2021
    • Megan Bent
    • A. Laura Brody
    • Ciara Chapman
    • Kat Chudy
    • Vanessa Cruz
    • Bronte Grimm
    • Francesca Hummler
    • David Isakson
    • Noel Molloy
    • Ellen Mansfield
    • Lisa Merida-Paytes
    • Teresa Shea
    • Katherine Sherwood
    • Annelies Slabbynck
    • Emily Tironi
    • Jenni-Juulia Wallinheimo-Heimonen
    • Opulent Mobility 2021 Opening Night
  • OM 2020
    • Abilities Dance Boston
    • A. Laura Brody
    • Yaron Dotan
    • Corina Duyn
    • Jennifer Fearon
    • Sandy Huse
    • David Isakson
    • Molshree Jain
    • Wendy Lewis
    • Vincent Mattina
    • Rebecca Niederlander
    • Penny Richards
    • Katherine Sherwood
    • Abigail Stockinger
    • Misty Stokes
    • Dianna Temple
    • Emily Tironi
  • OM 2019
    • Aurora Berger
    • A. Laura Brody
    • Becca Cerra
    • Yaron Dotan
    • David Isakson
    • Jewel Lin
    • Cheryl Nickel
    • Larissa Nickel
    • Penny Richards
    • Annelies Slabbynck
    • Dianna Temple
    • Emily Tironi
    • Jenni-Juulia Wallinheimo-Heimonen
  • OM 2018
    • A. Laura Brody
    • Yaron Dotan
    • Kellie Dunn
    • Julia Feldman
    • Gabriele Gervickaite
    • ju90
    • Aragna Ker
    • Penny Richards
    • Katherine Sherwood
    • Annelies Slabbynck
    • Laura Swanson
    • Storytellers at OM 2018 >
      • Paul Ford
      • Liebe Gray
      • Diana Elizabeth Jordan
  • OM 2017
    • A. Laura Brody
    • Yaron Dotan
    • Gabriele Gervickaite
    • Gini
    • ju90
    • Fang-Wei Hsu
    • David Isakson
    • Penny Richards
    • Katherine Sherwood
  • OM 2015
    • Zeina Baltagi
    • Elaine Bereza and Claudia Barreto
    • Bill Brody
    • A. Laura Brody
    • Elisa Jane Carmichael
    • Laura Darlington
    • Yaron Dotan
    • Michael Garlington
    • Gini
    • ju90
    • David Isakson
    • Larissa Nickel
    • Baxx Vlada Pantelic
    • Penny Richards
    • Greg Schenk
    • Katherine Sherwood
    • Sandwishes Studio
    • Priscilla Sutton
    • Ian Wood
  • Press
  • Contact

The Birth of Opulent Mobility

"I got interested in assistive technology after a partner had a stroke. I was fascinated by the devices, but was shocked at their impersonal ugliness. With the help of a wheelchair-using friend, I turned an old Nutron R51 chair into an Edwardian throne (Driven) and Opulent Mobility was born.

After making my next piece (Le Flaneur) I struggled to find places to show my work. Many galleries, at least the ones open to emerging artists, are not wheelchair accessible. In spite of the good work of the ADA, a lot of places aren't access friendly. After discovering how hard it was to make my sculptures safe and functional, I did some research about wheelchair and walker designs. There are quite a few patents online for imaginative and innovative assistive technology devices.

Almost none of those designs are available for sale on the market.

It was clear that this problem was larger than I thought. I decided to curate group exhibits dealing with the subject. Maybe I could find kindred spirits, fellow artists and people who could help me maneuver the tricky paths of medical licensing and make these fabulous devices a reality. At the very least it would get people talking about the subject.

Sharing this exhibit and these ideas is the best way I know to get that conversation started. After all, we have to be able to see the possibilities before we know we want them."

A. Laura Brody

Who is Opulent Mobility For?

Opulent Mobility is for wheelchair and walker users. It's also for people who don't see or hear well. It's for people using prosthetic limbs, crutches, canes and hearing aids. It's for all of us who could use a little help, and want that help to have style.
Making our world more personal and accessible benefits us all.
Consider:
-In the next 20 years, 80 million people in the United States will reach retirement age.
-Many of us are living longer lives than ever before.
-We haven't discovered a cure for many diseases that affect mobility. And we sure don't have a cure for aging.
-Personalizing recovery wards and hospital rooms is proven to have health benefits. It's not much of a stretch to apply that knowledge to assistive tech.
-Our environment affects our health and well-being, both mental and physical. We know this. Advertisers have used this information for years to sell things to us.

-If we are fortunate enough to live through injuries, diseases (both common and uncommon) and the effects of aging, we will all need the help of assistive technology.


Couldn't we all use a little help?


A. Laura Brody's Mobility Art

multiple views of Driven, a wheelchair done up as an Edwardian throne
Photo by Heidi Marie Photography
Multiple views of Le Flaneur, a walker dressed as a mobile Victorian bath house
Photo by Heidi Marie Photography
Multiple views of The Jazzy Peacock Scooter, a mobility scooter dressed as an Art Nouveau peacock
Photo by Heidi Marie Photography
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Creative Commons License

Opulent Mobility by A. Laura Brody is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License
The Opulent Mobility license refers to the exhibit and its audio descriptions. Individual artworks are the property of the individual artists.

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