Opulent Mobility
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  • Get Involved
    • Collaborate With Us
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  • OM 2022
    • A. Laura Brody
    • Kat Chudy
    • Katlin Combs
    • Kellie GIllespie
    • Bronte Grimm
    • Ash Hagerstrand
    • David Isakson
    • ju90
    • Judith Klausner
    • Ellen Mansfield
    • Lisa Merida-Paytes
    • Katherine Sherwood
    • Annelies Slabbynck
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    • Megan Bent
    • A. Laura Brody
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    • Kat Chudy
    • Vanessa Cruz
    • Bronte Grimm
    • Francesca Hummler
    • David Isakson
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    • Ellen Mansfield
    • Lisa Merida-Paytes
    • Teresa Shea
    • Katherine Sherwood
    • Annelies Slabbynck
    • Emily Tironi
    • Jenni-Juulia Wallinheimo-Heimonen
    • Opulent Mobility 2021 Opening Night
  • OM 2020
    • Abilities Dance Boston
    • A. Laura Brody
    • Yaron Dotan
    • Corina Duyn
    • Jennifer Fearon
    • Sandy Huse
    • David Isakson
    • Molshree Jain
    • Wendy Lewis
    • Vincent Mattina
    • Rebecca Niederlander
    • Penny Richards
    • Katherine Sherwood
    • Abigail Stockinger
    • Misty Stokes
    • Dianna Temple
    • Emily Tironi
  • OM 2019
    • Aurora Berger
    • A. Laura Brody
    • Becca Cerra
    • Yaron Dotan
    • David Isakson
    • Jewel Lin
    • Cheryl Nickel
    • Larissa Nickel
    • Penny Richards
    • Annelies Slabbynck
    • Dianna Temple
    • Emily Tironi
    • Jenni-Juulia Wallinheimo-Heimonen
  • OM 2018
    • A. Laura Brody
    • Yaron Dotan
    • Kellie Dunn
    • Julia Feldman
    • Gabriele Gervickaite
    • ju90
    • Aragna Ker
    • Penny Richards
    • Katherine Sherwood
    • Annelies Slabbynck
    • Laura Swanson
    • Storytellers at OM 2018 >
      • Paul Ford
      • Liebe Gray
      • Diana Elizabeth Jordan
  • OM 2017
    • A. Laura Brody
    • Yaron Dotan
    • Gabriele Gervickaite
    • Gini
    • ju90
    • Fang-Wei Hsu
    • David Isakson
    • Penny Richards
    • Katherine Sherwood
  • OM 2015
    • Zeina Baltagi
    • Elaine Bereza and Claudia Barreto
    • Bill Brody
    • A. Laura Brody
    • Elisa Jane Carmichael
    • Laura Darlington
    • Yaron Dotan
    • Michael Garlington
    • Gini
    • ju90
    • David Isakson
    • Larissa Nickel
    • Baxx Vlada Pantelic
    • Penny Richards
    • Greg Schenk
    • Katherine Sherwood
    • Sandwishes Studio
    • Priscilla Sutton
    • Ian Wood
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Fang-Wei Hsu

A close up of the crook of a crutch decorated with fake flowers and a piar of fake white birds.
A full-sized picture of a crutch decorated with fake flowers, fruit, jewels, feathers, and ruffles.
Detail of a crutch decorated with fake flowers, jewels, fruit, and fabrics. Lights shine from within the fabric.
Flamboyance New Life, 2017
120 x 30 x 10 (cm)
Aluminum crutch, ribbons, organza, feather, fringes, netting, gold and silver metals, Swarovski crystals, acrylic found objects, LED lights and battery.

Website: www.hoper1003.wixsite.com/artandlife
Taiwan
Image by Fang-Wei Hsu
VO by Mari Weiss

ABOUT FLAMBOYANCE:

My design maintains the functionality and practicality of the crutches while its style speaks to disabled people’s desires for relationships and connections with others as human beings with confidence and self-love. My crutches say, “You deserve beauty and happiness, join me and be fashionable.” My design intends to challenge society’s stereotypes against crutches and disability, I believe that the design of assistive technology must be functional and fashionable; disabled people are not objects of pity, but a symbol of beauty.
The project I submitted shows a sense of sweet romance. Blending in the style of 1920s, I imagine that this crutch is something that royal princess would want to own.

-Fang-Wei Hsu, translation by Sandie Yi

ARTIST STATEMENT:

Art making is a process of psychological and soulful metamorphosis to me. I explore my living experiences and my relationships to disability and disability identity through mixed media in my work. The use of mixed media is a luxurious adventure of freedom. It enables me to express abundant personal feelings and thoughts. I intend to engage with my audience in conversations and challenge the stereotypes against disability through the reuse/reinvent adaptive technology, for example, my crutches. As someone living with a rare disease which impaired my physicality and mobility, and living with acquired hearing lost, my body is a site for mindful practices; my body is a force in leading me to live with creativity, wisdom and humor. Art making is not simply an internal conversation or emotional outlet, it conveys my perspectives of life. As an artist, I move beyond the role as the recipient of help, I make art as a way to impact people’s understanding of aesthetics and world view.
-Fang-Wei Hsu, translation by Sandie Yi

DESCRIPTION

Flamboyance New Life:
The arm rest is covered in white marabou feathers and a white chiffon scarf that dangles to the side. Across the ribbon- and fabric-covered struts are swags of pearl and rhinestone necklaces. Two white doves sit on top of the lower curve of the crutch. One dove wears a black top hat. Above them on the covered struts are heart shaped rhinestone brooches and a peach colored rose. Hanging over them is a large teardrop crystal and long cream colored tassels. Below are a fabric butterfly and teal, white, pink, and blue flowers. A large bow is tied beneath the curve of the crutch and the shaft is wrapped with cream colored ruffles.

-audio description by Teri Grossman

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Creative Commons License

Opulent Mobility by A. Laura Brody is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License
The Opulent Mobility license refers to the exhibit and its audio descriptions. Individual artworks are the property of the individual artists.

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