Opulent Mobility
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  • Home
  • About
    • the Story of OM
  • Genius Teatime
  • Get Involved
    • Collaborate With Us
    • Donate
    • Make an Exhibit
    • Submit Your Art
  • OM 2022
    • A. Laura Brody
    • Kat Chudy
    • Katlin Combs
    • Kellie GIllespie
    • Bronte Grimm
    • Ash Hagerstrand
    • David Isakson
    • ju90
    • Judith Klausner
    • Ellen Mansfield
    • Lisa Merida-Paytes
    • Katherine Sherwood
    • Annelies Slabbynck
    • Misty Stokes
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    • A. Laura Brody
    • Ciara Chapman
    • Kat Chudy
    • Vanessa Cruz
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    • Francesca Hummler
    • David Isakson
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    • Lisa Merida-Paytes
    • Teresa Shea
    • Katherine Sherwood
    • Annelies Slabbynck
    • Emily Tironi
    • Jenni-Juulia Wallinheimo-Heimonen
    • Opulent Mobility 2021 Opening Night
  • OM 2020
    • Abilities Dance Boston
    • A. Laura Brody
    • Yaron Dotan
    • Corina Duyn
    • Jennifer Fearon
    • Sandy Huse
    • David Isakson
    • Molshree Jain
    • Wendy Lewis
    • Vincent Mattina
    • Rebecca Niederlander
    • Penny Richards
    • Katherine Sherwood
    • Abigail Stockinger
    • Misty Stokes
    • Dianna Temple
    • Emily Tironi
  • OM 2019
    • Aurora Berger
    • A. Laura Brody
    • Becca Cerra
    • Yaron Dotan
    • David Isakson
    • Jewel Lin
    • Cheryl Nickel
    • Larissa Nickel
    • Penny Richards
    • Annelies Slabbynck
    • Dianna Temple
    • Emily Tironi
    • Jenni-Juulia Wallinheimo-Heimonen
  • OM 2018
    • A. Laura Brody
    • Yaron Dotan
    • Kellie Dunn
    • Julia Feldman
    • Gabriele Gervickaite
    • ju90
    • Aragna Ker
    • Penny Richards
    • Katherine Sherwood
    • Annelies Slabbynck
    • Laura Swanson
    • Storytellers at OM 2018 >
      • Paul Ford
      • Liebe Gray
      • Diana Elizabeth Jordan
  • OM 2017
    • A. Laura Brody
    • Yaron Dotan
    • Gabriele Gervickaite
    • Gini
    • ju90
    • Fang-Wei Hsu
    • David Isakson
    • Penny Richards
    • Katherine Sherwood
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    • Zeina Baltagi
    • Elaine Bereza and Claudia Barreto
    • Bill Brody
    • A. Laura Brody
    • Elisa Jane Carmichael
    • Laura Darlington
    • Yaron Dotan
    • Michael Garlington
    • Gini
    • ju90
    • David Isakson
    • Larissa Nickel
    • Baxx Vlada Pantelic
    • Penny Richards
    • Greg Schenk
    • Katherine Sherwood
    • Sandwishes Studio
    • Priscilla Sutton
    • Ian Wood
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Megan Bent

Against a black background is a pale green leaf printed with a faded image of a hand and the text
Against a black background is a tropical leaf in red, green, and pale yellow. Gold block letters printed on the leaf read
I Live in Crip Time
2021
Archival inkjet print from chlorophyll print scans
30" x 30"
$500 original, $200 for a 20" x 20" print


Website:
http://www.meganbent.com/
Connecticut, USA

VO by Mari Weiss
Piss On Pity
2021
Archival Inkjet Print from chlorophyll print scans
30” x 30”
$500 original, $200 for a 20" x 20" print


ABOUT THE ARTWORKS:

Chlorophyll printing is a process that prints images onto leaves through photosynthesis.
http://meganbent.com/i-dont-want-to-paint-a-silver-lining-around-it-1

STATEMENT:

Since the spring of 2020, I have been documenting the experience of being chronically ill and immune-suppressed in the pandemic while the outside world demands that people like me are acceptable losses for personal convenience or for corporate profit. The printed images illustrate the prolonged solitude of a year plus in lock down. The text stamped directly into the leaves conveys the dialogue between the administrative and public messaging to the Disability Community and my private thoughts and responses. I employ chlorophyll printing, which uses UV light to print photographic images directly onto leaves, to explore my experience of chronic illness and how illness/disability is represented in society. I am interested in the disconnection between the way disability is most often understood as a purely negative experience and the way the fragility of nature is seen with a lens of reverence. The chlorophyll printing process (where one print/exposure may take anywhere from 8- 72 hours) relies on flexibility, interdependence with nature, and echoes my experience of Crip Time; living in a body/mind that values slowing down, connection, and care over speed and production. The action of printing representations of disability onto leaves highlights the organic nature of disability, re-framing it as a part of human diversity. The fact that chlorophyll prints are impermanent, and will continue to decay over time, asks the viewer to confront the interdependence and bodily impermanence we all share.

DESCRIPTION:

I Live in Crip Time
Words adorn a pale yellow, oval leaf. The horizontal leaf has a splotch of dark green that angles up from the left to the upper right. A drop of dark green creates a drip near the bottom, slightly to the right of the middle of the leaf. On a narrow dark green band mid-way on the left side of the leaf are pale yellow letters: In Crip Time.

Piss On Pity
Letters adorn a leaf. The leaf is heart-shaped, with a torn upper edge. The leaf has pale green shoulders becoming pale red in the remaining triangular lower portion. A blob of white rests between the green and red on the right side. In the red portion are tiny gold letters on separate lines forming three words: Piss On Pity.

-descriptions by Teri Grossman
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Creative Commons License

Opulent Mobility by A. Laura Brody is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License
The Opulent Mobility license refers to the exhibit and its audio descriptions. Individual artworks are the property of the individual artists.

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