Opulent Mobility
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  • Home
  • About
    • the Story of OM
  • Genius Teatime
  • Get Involved
    • Collaborate With Us
    • Donate
    • Make an Exhibit
    • Submit Your Art
  • OM 2022
    • A. Laura Brody
    • Kat Chudy
    • Katlin Combs
    • Kellie GIllespie
    • Bronte Grimm
    • Ash Hagerstrand
    • David Isakson
    • ju90
    • Judith Klausner
    • Ellen Mansfield
    • Lisa Merida-Paytes
    • Katherine Sherwood
    • Annelies Slabbynck
    • Misty Stokes
    • Rachel Ungerer
  • OM 2021
    • Megan Bent
    • A. Laura Brody
    • Ciara Chapman
    • Kat Chudy
    • Vanessa Cruz
    • Bronte Grimm
    • Francesca Hummler
    • David Isakson
    • Noel Molloy
    • Ellen Mansfield
    • Lisa Merida-Paytes
    • Teresa Shea
    • Katherine Sherwood
    • Annelies Slabbynck
    • Emily Tironi
    • Jenni-Juulia Wallinheimo-Heimonen
    • Opulent Mobility 2021 Opening Night
  • OM 2020
    • Abilities Dance Boston
    • A. Laura Brody
    • Yaron Dotan
    • Corina Duyn
    • Jennifer Fearon
    • Sandy Huse
    • David Isakson
    • Molshree Jain
    • Wendy Lewis
    • Vincent Mattina
    • Rebecca Niederlander
    • Penny Richards
    • Katherine Sherwood
    • Abigail Stockinger
    • Misty Stokes
    • Dianna Temple
    • Emily Tironi
  • OM 2019
    • Aurora Berger
    • A. Laura Brody
    • Becca Cerra
    • Yaron Dotan
    • David Isakson
    • Jewel Lin
    • Cheryl Nickel
    • Larissa Nickel
    • Penny Richards
    • Annelies Slabbynck
    • Dianna Temple
    • Emily Tironi
    • Jenni-Juulia Wallinheimo-Heimonen
  • OM 2018
    • A. Laura Brody
    • Yaron Dotan
    • Kellie Dunn
    • Julia Feldman
    • Gabriele Gervickaite
    • ju90
    • Aragna Ker
    • Penny Richards
    • Katherine Sherwood
    • Annelies Slabbynck
    • Laura Swanson
    • Storytellers at OM 2018 >
      • Paul Ford
      • Liebe Gray
      • Diana Elizabeth Jordan
  • OM 2017
    • A. Laura Brody
    • Yaron Dotan
    • Gabriele Gervickaite
    • Gini
    • ju90
    • Fang-Wei Hsu
    • David Isakson
    • Penny Richards
    • Katherine Sherwood
  • OM 2015
    • Zeina Baltagi
    • Elaine Bereza and Claudia Barreto
    • Bill Brody
    • A. Laura Brody
    • Elisa Jane Carmichael
    • Laura Darlington
    • Yaron Dotan
    • Michael Garlington
    • Gini
    • ju90
    • David Isakson
    • Larissa Nickel
    • Baxx Vlada Pantelic
    • Penny Richards
    • Greg Schenk
    • Katherine Sherwood
    • Sandwishes Studio
    • Priscilla Sutton
    • Ian Wood
  • Press
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Larissa Nickel

Human Limb Object /Architech Me.
Trio of looped videos. 2014
$500.
Website: http://larissanickel.com/

VO by Gia Mora.
Play all three videos at once for the full effect.

ABOUT THE WORK:

“In 2009, I was injured in a work accident which permanently impacted the mobility of my arm and hand. The experience

not only changed me physically, but required a mental shift in my understanding of my body and my ability to practice as

an artist. In working through the experience, I developed a series of digital self-portraits inspired by Le Corbusier, whose

architectural projects and philosophy included utopian visions of society.“



ART STATEMENT:

Combining visual arts and technology with my museum knowledge and skills, I use the museum as an active methodology for artistic practice employing the functions of collection, preservation, interpretation and display through performance, installation, photography and design. I create works and collective projects that address the museology process as more than just a container of materialism, but also as a conceptual space with performative qualities that activates object theatre and expressive curiosity.By evolving museum ideology and artistic practice, I operate amid these cultural modes where personal narratives overlap with public archives. Building upon the theories and ideas of new media, social sculpture, institutional critique, and cultural mapping I use history, architecture, technology, geography, narrative, and the body to question and create experiences in which art can facilitate interpersonal relationships, community-building, empathy and discovery.This process intends to engage a new architecture of creative practice and cultural exchange that embraces mobility and the synaptic connectivity between object and concept, personal identity and the social collective. Through this looking glass, my work can continuously re-generate, and endlessly become an artistic ecosystem of cultural wonder.

DESCRIPTION:

Human Limb Object/Architech Me:
Three stacked video screens form a column. The top screen alternates stills of a white female’s head and shoulders. One image shows a blonde woman and a dark-haired woman facing each other with open mouths. Another shows a brunette with two faces superimposed over each other. Another is a redhead in profile with a large butcher knife handle for a right arm. There are several other images, all with the same face but with different wigs and accessories.
The center screen alternates female torsos and arms holding kitchen appliances and accessories. There is the top of a coffee maker, a tea kettle, a stand kitchen mixer, a large butcher knife and crocheted doilies. One image has flowers floating over the crotch area. Another image has three hands.
The bottom screen alternates images of female legs. Some legs have fanciful prosthetic limbs. Other legs float above monuments in high-heeled shoes.

- description by A. Laura Brody

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Creative Commons License

Opulent Mobility by A. Laura Brody is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License
The Opulent Mobility license refers to the exhibit and its audio descriptions. Individual artworks are the property of the individual artists.

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