Opulent Mobility
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  • Home
  • About
    • the Story of OM
  • Genius Teatime
  • Get Involved
    • Collaborate With Us
    • Donate
    • Make an Exhibit
    • Submit Your Art
  • OM 2022
    • A. Laura Brody
    • Kat Chudy
    • Katlin Combs
    • Kellie GIllespie
    • Bronte Grimm
    • Ash Hagerstrand
    • David Isakson
    • ju90
    • Judith Klausner
    • Ellen Mansfield
    • Lisa Merida-Paytes
    • Katherine Sherwood
    • Annelies Slabbynck
    • Misty Stokes
    • Rachel Ungerer
  • OM 2021
    • Megan Bent
    • A. Laura Brody
    • Ciara Chapman
    • Kat Chudy
    • Vanessa Cruz
    • Bronte Grimm
    • Francesca Hummler
    • David Isakson
    • Noel Molloy
    • Ellen Mansfield
    • Lisa Merida-Paytes
    • Teresa Shea
    • Katherine Sherwood
    • Annelies Slabbynck
    • Emily Tironi
    • Jenni-Juulia Wallinheimo-Heimonen
    • Opulent Mobility 2021 Opening Night
  • OM 2020
    • Abilities Dance Boston
    • A. Laura Brody
    • Yaron Dotan
    • Corina Duyn
    • Jennifer Fearon
    • Sandy Huse
    • David Isakson
    • Molshree Jain
    • Wendy Lewis
    • Vincent Mattina
    • Rebecca Niederlander
    • Penny Richards
    • Katherine Sherwood
    • Abigail Stockinger
    • Misty Stokes
    • Dianna Temple
    • Emily Tironi
  • OM 2019
    • Aurora Berger
    • A. Laura Brody
    • Becca Cerra
    • Yaron Dotan
    • David Isakson
    • Jewel Lin
    • Cheryl Nickel
    • Larissa Nickel
    • Penny Richards
    • Annelies Slabbynck
    • Dianna Temple
    • Emily Tironi
    • Jenni-Juulia Wallinheimo-Heimonen
  • OM 2018
    • A. Laura Brody
    • Yaron Dotan
    • Kellie Dunn
    • Julia Feldman
    • Gabriele Gervickaite
    • ju90
    • Aragna Ker
    • Penny Richards
    • Katherine Sherwood
    • Annelies Slabbynck
    • Laura Swanson
    • Storytellers at OM 2018 >
      • Paul Ford
      • Liebe Gray
      • Diana Elizabeth Jordan
  • OM 2017
    • A. Laura Brody
    • Yaron Dotan
    • Gabriele Gervickaite
    • Gini
    • ju90
    • Fang-Wei Hsu
    • David Isakson
    • Penny Richards
    • Katherine Sherwood
  • OM 2015
    • Zeina Baltagi
    • Elaine Bereza and Claudia Barreto
    • Bill Brody
    • A. Laura Brody
    • Elisa Jane Carmichael
    • Laura Darlington
    • Yaron Dotan
    • Michael Garlington
    • Gini
    • ju90
    • David Isakson
    • Larissa Nickel
    • Baxx Vlada Pantelic
    • Penny Richards
    • Greg Schenk
    • Katherine Sherwood
    • Sandwishes Studio
    • Priscilla Sutton
    • Ian Wood
  • Press
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A white robed, white bearded white man in a floating wheelchair handing a white naked man a cane

Gini

Creating Freedom, 2015
Digital photograph
17” x 28”
$400
Website: http://www.disabilityartsonline.org.uk/Gini
England

Image by Gini
VO by Mari Weiss


From Gini’s poem Ode to Wheels:
“I arrive my wheels, I arrive
with a keen anticipation
to be rescued from the primitive
to our shared configuration
Oh my wheels I am handicapped
until we are one and we fly.”

Wheelborne Venus, 2015

Digital photograph
14” x 18”
$400


Image by Gini
VO by Mari Weiss
A pale skinned nude woman with long blonde hair rising from the sea on a wheelchair half shell. To her left are two floating winged people, to her right is a pale skinned woman in a floral dress.

DESCRIPTIONS:

"Creating Freedom is a digitally manipulated version of Michelangelo's Sistine Chapel painting, Creating Adam. Gini altered the painting to include a wheelchair and 2 crutches.
In the original painting God floats above on our right. He is an old white man with flowing white hair and beard, surrounded by muscular angels. He is draped in fabric and extends his right arm and hand out towards Adam. To God’s left lies Adam, a young muscular white man dressed in only a fig leaf. He lies on the ground and stretches his left arm out towards God’s hand. Their fingers almost touch.
In Gini’s version of this famous painting, God is seated in a wheelchair with wings on its front wheels and hands Adam a crutch. A second crutch floats conveniently near Adam’s fig leaf.

Wheelborne Venus is a digitally manipulated version of Sandro Botticelli's painting The Birth of Venus. Gini altered the image to include a winged wheelchair.
In the original painting Venus rises from the sea on a huge half clam shell. She is young, white and nude with flowing golden hair draped around her. To our right is a handmaiden draped in floral fabrics, holding red floral draperies out to Venus. To her left two winged figures, male and female, are entwined. They are draped in capes and their mouths are puckered in a blowing position. In Gini’s version, the open clam shell becomes Venus’ winged wheelchair." -A. Laura Brody

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Creative Commons License

Opulent Mobility by A. Laura Brody is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License
The Opulent Mobility license refers to the exhibit and its audio descriptions. Individual artworks are the property of the individual artists.

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